Wizards’ $50m practice arena renderings are scenes from a post-apocalpytic nightmare

New renderings for the Washington Wizards practice facility (and Mystics home arena) to be built with at least $50 million in city money were released yesterday, and, I’m sorry, what?

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The new arena will apparently be surrounded by a massive frozen pond, or maybe a thin coating of a liquid polymer. Fortunately, no one will be around to try to walk on it, since that could get ugly.

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Is that a WNBA player? If so, why is she wearing so much makeup? What’s suspending the banner (?) in midair like that? And why on earth is there a film reel countdown projected (?) on a brick wall? What is it counting down to? Will there be any concession stands, or will the whole place just feel like an empty hotel lobby?

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The most important part of any new development: lens flare.

new-dcpract-5Put it all together and you have … dear lord. At least the rest of human civilization appears to have been destroyed in whatever cataclysm turned the very ground into a shiny flat surface, so no one will be around to see this. When the aliens land, though, they’re going to be disappointed that there’s nowhere to buy any curly fries.

Utah Jazz spending $23m in tax breaks on really big sign reading “PIZZA,” apparently

The owners of the Utah Jazz, as you may recall, are launching a $125 million renovation of their privately owned arena with the help of $23 million in tax kickback subsidies that were approved with no public debate and for no damn reason (Salt Lake City got exactly nothing in exchange for its money), and now they’re releasing their first renderings of what they’ll be spending their cash on, and for some reason the first image is this: screen-shot-2016-09-22-at-7-36-05-amThat’s a whole lotta pizza concession stand! And it tells you that it’s selling pizza! And it’s sorta shaped like a pizza? And the guys making the pizza are definitely wearing chef’s hats, because you can’t put a price on that.

There are other photos in the Deseret News’ slideshow, and you know, the pizza one might actually be the most impressive. Jazz owner Gail Miller may be good at getting public subsidies in exchange for nothing, but she has some work to do on coming up with shiny vaportecture renderings to make taxpayers think they’re getting something for their money.

As Raiders unveil stadium pics, reporters told to ask subsidy questions, keep answers secret (UPDATED)

I have a big stack of news items that I’m going to be playing catchup with all week, but I’m still on the road one more day, so that infodump will need to wait till Tuesday at the earliest. Instead, here’s the latest rendering released by the Oakland Raiders ownership of a possible new stadium in Las Vegas: raiders-vegas-stadium-frontAs stadium watchers and journalists alike immediately noticed, this bears a striking resemblance to the stadium that the Raiders and San Diego Chargers were going to build in Carson, California:
raiders-carson-rendering-08-26-16There’s even the return of the giant Al Davis eternal flame that was originally proposed for Carson, then scrapped because it was just so stupid:

raiders-stadium-vegas-flameWhy cut-and-paste old designs into a new site, especially when you don’t even know which Vegas site it might be? Momentum, duh: This enables Raiders owner Mark Davis and his investment partners Sheldon Adelson and Majestic Realty to make it feel like this thing is going to get built, look, we have pictures of it, rather than having the Nevada public’s main image be of a pile of burning money. It’s the same reason why Davis filed for the trademark “Las Vegas Raiders” and released new stadium spending estimates stressing his own share of costs, even if they were misleading (he’s still failing to mention the roughly $250 million in tax increment kickbacks that Majestic has insisted are necessary for the project) and failed basic math (of a now-$1.9 billion total cost, the state would kick in $750 million in hotel-tax revenues and the private developers would put up $1.25 billion, which wait, what?).

If this stadium does happen, those almost certainly won’t be the final spending numbers, and these almost certainly won’t be what the stadium looks like. But it’s a lot easier to make a deal look like a fait accompli when you have hard numbers and actual drawings, even if those are just things you made up knowing you’ll change them later. It’s the clear plastic binder all over again.

And all this is aided and abetted, meanwhile, by having one of the stadium developers own the biggest newspaper in town, which allows for media manipulation like this jaw-dropping one revealed by Ralston Reports:

Reporters for Sheldon Adelson’s newspaper have been told to ask candidates if they support public money for the stadium proposed by the Las Vegas Sands chairman but that the Las Vegas Review-Journal will not actually publish the answers.

This astonishing request was made in a memo two weeks ago from Assistant City Editor Don Ham:

All of you who are handling state Senate, state Assembly and Clark County Commission races for the tab should make sure to ask this very timely question of the candidates. This question is NOT going to be added to the question asked of candidates for the online election package, though. Should public money, in the form of room taxes, be used to build a proposed stadium in Las Vegas. Why or why not? Any questions, see me. Thanks.

The leading theory here is that Adelson, who owns the Review-Journal, is intent on using the paper’s reporters to gather intelligence on where candidates stand on his stadium subsidy proposal, without actually using any of that information to, you know, inform readers. This would be far from the worst abuse of power by Adelson involving his newspaper holdings, but only because he’s set the bar so very high.

UPDATE: The Review-Journal’s managing editor writes in to say that the stadium questions were too for publication, just for publication in a different part of the paper. I’ll add further updates if I can ferret out whose interpretation of events makes a damn bit of sense.

D.C. United to critics of stadium design: How about a fountain? You like fountains, right?

Still on the road, but can’t fail to alert you to new stadium renderings from D.C. United that were released yesterday (on Twitter, because 2016). The last round of renderings, you’ll recall, was disparaged as looking like a prison:

dc-united-press dcunited.imrs.phpSo how do the new pictures compare?

https://twitter.com/dcunited/status/767881787670466560

That’s, um, pretty similar. There’s a big glass box sticking out of one corner for some reason, instead of the big grey box, and some kind of fountain with giant lens-flare-bedecked “D.C. UNITED” letters in the middle of it right in the path of fans trying to get to the game, but otherwise the design is largely unchanged. It’s not a bad design, but it’s a bit no-frills compared to the original one floated when United was trying to get citizens of D.C. to pay for it:

At least United is still planning on having lots of featureless ghost fans come to games. Make your own MLS attendance jokes.

Michigan residents’ $300m for Red Wings arena buying slightly closer seats, plus lasers

This week’s Sports Illustrated has a long profile of the Detroit Red Wings‘ under-construction new arena, which almost entirely consists of quotes from team execs and the arena’s designers, so take with a huge grain of salt. It does include a few tea leaves we can try to read, though, so let’s get to it:

The design starts with putting fans as close to the ice as possible. “We brought in our general manager, Ken Holland, to find which was the most intimidating place we play,” Tom Wilson, CEO of team and arena owner Olympia Entertainment, tells SI.com. “Without question it is Montreal. There is no light. No open concourses. Just a sea of red jerseys screaming at you in French. We went there to see it and, my gosh, they are on top of you.”

George Heinlein, HOK Sports principal, tells SI.com that they designed Little Caesars with Montreal’s Bell Centre’s vertical rise, but with added legroom. “It is about the steepness of the seating bowl,” Heinlein says. “But also the proximity of those fans to the rink.”

This is garbage: Since a hockey arena’s seating starts, by definition, at the edge of the rink, the only way to get fans (in the first deck, at least) closer to the ice is to reduce legroom. This is a tradeoff, obviously — less legroom is bad for the people sitting in those seats, but good for the fans sitting in the rows behind them — but unless HOK has reinvented geometry, they can’t accomplish both at once.

While Detroit’s current Joe Louis Arena has about 40% of seats in the lower bowl, Little Caesars flips the script, putting about 10,500 of the total 19,600 seats in the lower bowl, but with the last row in Little Caesars still able to fit within the last row of Joe Louis.

“More seats in the lower bowl” is actually HOK dogma at this point, apparently because team owners think they can charge more for a seat in the last row of a lower bowl than for a seat in the front row of an upper bowl, though they might be equally good for seeing the game. The last row being no farther from the ice than in the old arena is more promising, if that’s indeed what “fit within the last row of Joe Louis” means.

The baddest bowl eliminates the trendy concept of opening up the concourses to the rink. Instead of creating sightlines through the entire venue, the Red Wings wanted to focus on creating noise, eliminating any holes where noise or energy could escape. “We don’t want to blow out concourses, we want to contain all the energy in the seating bowl,” Heinlein says. “It is a throwback in that regard.”

This sounds like marketing gibberish — “we’re eliminating this thing that everyone has been claiming is one of the best things about new sports venues, and claiming it’s ‘throwback’ and trendy for not being trendy” — and it is, but it’s also potentially kind of cool. One staple of stadium and arena design the last couple of decades has been a large gap between decks, so that fans in concession areas can see the game while waiting on line for food. If you’ve ever been at one of these buildings, though, you know that this usually means “see maybe one corner of the game, or more likely a thin strip of the crowd that is watching the game, while peering around everyone standing around the concourse,” which is entirely useless, especially since there are typically TV monitors everywhere showing you the actual game.

Getting rid of that gap, though, enables the designers to move the entire deck above maybe 10-20 feet down and forward, which is a huge benefit to the people actually sitting in those seats, and could help explain that “worst seat is no worse than in Joe Louis” claim. I’m tentatively optimistic, anyway.

Connecting the interior of Little Caesars with the Via and surrounding neighborhood by blurring the entry plaza concourse with the external streets of the district, Wilson says the space offers diversity and will encourage fans to return over and over to experience new spaces. “The Via is a very active space,” Wilson says. “We want to change the way people come to games. Come at 6 (p.m.), have your choice of sports bars, a market house, a spaghetti house and have a full evening. At the end of the game, there are tons of experiences to still have and discover.”

In other words, the Via (a glassed-in concessions concourse that is meant to feel like it’s “outdoors”) is a cross between traditional concessions areas and an outdoor space controlled by the team like Eutaw Street at Camden Yards or Yawkey Way at Fenway Park. Nothing new, in other words — it’s just team-controlled restaurant space by another name.

Using a 12-laser projection system, the Red Wings can animate the arena, projecting full motion video and images on the arena’s “forward-thinking” metal-panel skin all the way through the Via. “There is nothing like it in Vegas, Disney or Times Square,” Wilson says. “It is an immersive sort of experience that everybody is going to enjoy.”

Dear lord, that sounds awful. Unless you like the stimulation overload of Vegas and Times Square, which I guess lots of people do, but if I count among “everybody,” I expect I’ll be able to personally disprove that last statement.

And that’s more than enough time to spend on a team PR statement. Let’s close with a reminder of the $300 million in public money this is costing Michigan residents, since SI somehow forgot to mention it.

Rangers stadium to cost Arlington taxpayers at least $500m, many questions remain unanswered

The Texas Rangers owners and the city of Arlington unveiled their proposal for a new retractable-roofed stadium on Friday, sketching in some more of the details that had been left out of that morning’s leak:

  • The stadium would now cost $1 billion, with Arlington taxpayers’ share at $500 million. No idea why the price tag is $100 million higher than it was on Friday morning, though the conspiracy-minded will note that even if the actual cost estimate is the same, upping the target price means the Rangers owners’ responsibility to pay for all cost overruns won’t kick in as soon now.
  • For the Rangers owners’ share, they would get to use personal seat license fees plus parking and ticket tax money, which would pay off bonds sold by the city — meaning if PSL sales fell short, say, the city could end up on the hook for more than $500 million. This, you’ll recall, was the initial concern with the San Francisco 49ers stadium in Santa Clara, and though that worked out okay in the end when the PSLs sold out, it’s still an added risk for Arlington.
  • The public’s base $500 million will come from the 0.5% sales tax surcharge, 2% hotel tax surcharge, and 5% car rental tax surcharge currently being used to pay off the Dallas Cowboys’ stadium, which the Dallas Star-Telegram calls “no new taxes.” Except that the Cowboys stadium was set to be paid off in 2021, at which point those taxes could either have been eliminated or redirected toward something else — so really this is a new extension of existing taxes for as much as an additional 30 years.
  • The Rangers will continue to pay the same $2 million a year rent to the city that they pay on their current stadium.
  • The city council will vote on a stadium agreement tomorrow — apparently Texas doesn’t believe in things like public hearings — and if approved, the project will then go before voters in November, something that the Dallas Morning News entirely left out of its ten-point rundown of the proposal, which stated the stadium plans entirely in the simple future tense (“It will be open by April 2021”). Way to go, writers on the fait accompli beat.
  • While most of the existing Globe Life Park would be torn down to make way for parking lots (the new stadium would be built on existing parking lots), there could be attempts to save “parts of the facade and other historic features” at the ballpark, which is younger than all but one player on the Rangers’ current roster.

That tells us a lot more than we knew Friday morning, but there are still a bunch of unanswered questions:

  • Nobody knows how the first few years of construction bond payments will be paid off, since the taxes involved still need to keep being used for Cowboys stadium debt through 2021.
  • Will the Rangers owners pay any property taxes on the place? Who will pay maintenance and operations costs? Will Arlington get any share at all of stadium revenues like naming rights, or will the public have to pay off its share entirely from tax revenue while the Rangers get to use actual stadium income for theirs?
  • What do Arlington residents think of the deal? (The Star-Telegram ran an article headlined “What fans, Arlington officials are saying” but then apparently forgot to interview any actual fans, since the only quotes (aside from one local sports bar owner) were from current and former elected officials who supported the deal.)

But hey, there’s still time to work all that out in the next 24 hours before the council vote, right?

Here, just look at some renderings of what the final stadium design almost certainly won’t look like, instead of worrying about all that. It’s what the Rangers owners surely want you to do:

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Inside of new Bucks arena looks more and more like a dystopian sci-fi movie

It’s a bit of a slow news day, so thank goodness the Milwaukee Bucks have come through with some new interior arena renderings for us to peruse while we wait for the last dregs of the week to run out:

pano3pano1v2I don’t know exactly what’s going on with that creepy dark club with the glowy rings on the ceiling — supposedly it gives fans views of both the court and the city, though given that in real life there would be more than ten people in it at any one time, more likely it will mostly provide a view of those TV screens as you crane your neck to see the score while waiting on line for overpriced food. The “corner sponsor tower” next to it, meanwhile, is even more mysterious — presumably it should have a big sponsor logo on it, but instead it’s just three levels of blank void with more of those geometric patterns on the ceilings. The interior of the levels doesn’t appear to be raked at all, so only the people at the front railing (there is a railing, right?) will be able to see the game, from a great distance, while everyone behind them will be … dancing? Enjoying presentations from the corporate sponsor of their choosing? What the heck does any of this have to do with basketball, exactly?

Architects explain Washington NFL stadium moat as “gentle transition,” are just trolling us now

Want to know why Washington NFL owner Daniel Snyder’s proposed stadium design has a moat around it? Here’s why it has a moat, courtesy of a Washington Business Journal article titled, “Now we know why Dan Snyder’s stadium has a moat“:

According to Bjarke Ingels Group, the water feature would provide separation between the tailgating area and the stadium (as opposed to a fence or wall), while a series of bridges would act as new gates. “Access becomes a gentle transition between the tailgating and game,” reads the description. If you remember the tunnels from RFK Stadium to the parking lots, it’s not too far removed from that … except for the water part. And as was already revealed in one of the renderings (click through our gallery, above), the moat would in fact double as a wave pool in the summer and an ice rink in the winter.

Um, guys? That doesn’t actually explain why the stadium design has a moat, unless maybe it’s “the Bjarke Ingels Group architects have never been to a sporting event, and think that walking across a narrow bridge with 70,000 other fans to get from tailgating to the game would be a ‘gentle transition.'” Also possibly “the Bjarke Ingels Group architects have never been to D.C., and don’t realize that if it ever snows there, people will more likely be cowering in their homes than going out to ice skate on a frozen moat that will probably plunge them to their deaths at any second, because this isn’t Minnesota, people.”

On the other hand, here it is one month later, and we’re still talking about that damned moat, instead of about who on earth would actually build this thing when the team just got a new stadium 19 years ago. It’s all about the misdirection.

New Bucks arena to be covered with rust, what is it with the rust already?

They’re not nearly as batshit as yesterday’s Washington NFL renderings — not to mention they’re for a building that is actually getting built in an actual location — but the Milwaukee Bucks have released renderings of their new $500 million arena being built with $505 million in public subsidies:

b99688823z.1_20160316221937_000_gnketctn.1-0b99688823z.1_20160316221937_000_gnketctq.1-0b99688823z.1_20160316221937_000_gnketctr.1-0That outer shell that supposedly looks like a “wave” (if waves were brown, which I don’t really want to think too hard about) is going to be made up of “zinc panels chemically treated to achieve a gritty, brown-rust patina,” which is a different kind of intentional rust color than the weathered steel used on the Brooklyn Nets arena, but promises to be just as ugly. (Name one attractive rust-brown building you’ve seen. I’ll wait.)

The inner seating bowl is somewhat more promising, though the cheap seats in those tiny upper decks separated by two decks of luxury suites are going to royally suck; and while the large lower deck will be nice for anyone who can afford to sit there, forcing everyone to enter and exit at the back of the section is going to make for some epic foot traffic jams at the end of games.

As usual, though, the real fun part is nitpicking the little details that the architects probably added at 1 am when they didn’t know how to fill out a blank space on their drawings. Like, what’s up with that strange balcony projecting off the front of the building, the better for drunken fans to throw their beers/themselves down onto passersby? And how much did those people pay to stand in those weirdly backlit sections in the upper-deck corners, and why? Who are those two opposing players near midcourt supposed to be guarding? What exactly is Greg Monroe doing in that replay (?) on the video board? Why does anyone think Greg Monroe will still be on the Bucks when the new arena opens in 2018? Play along yourself in comments!

Latest Washington NFL plans feature snow, blimps, people with no idea how to throw a football

We have more renderings of the Washington NFL team‘s insane design for a stadium to be built in a postapocalyptic dreamscape, courtesy of the insane-design website Dezeen, and you know what, I think these are better without commentary:

redskin-stadium-washington-big-usa_dezeen_936_3-new redskin-stadium-washington-big-usa_dezeen_936_5-new redskin-stadium-washington-big-usa_dezeen_1568_5-new redskin-stadium-washington-big-usa_dezeen_936_2-new redskin-stadium-washington-big-usa_dezeen_936_4 redskin-stadium-washington-big-usa_dezeen_936_6If you’re conspiracy-minded, you might focus on the bottom rendering, which appears to show the stadium sited in what’s now a national park just across the District border in Prince George’s County, Maryland — but given that that same image shows the sun apparently setting in the north, probably best not to make too much of it.