The Staples Center has a new name that’s even dumber than “Staples Center”

I generally try to avoid reporting on which corporate monikers are being slathered on the side of sports venues, because nobody is paying me to drop their names into my posts. (If anyone is interested in paying to place ads in Field of Schemes posts: We don’t allow that kind of shenanigans, please stop emailing me, already!) But the sale of the name of the Los Angeles arena that has been known for 22 years as the Staples Center to a cryptocurrency company whose name rhymes with, um, schmypto-schmot-schmom, is notable for a few reasons:

  • The company, which makes a cryptocurrency buying and selling app and is incorporated in Malta and headquartered in Singapore, is paying $700 million over 20 years for the naming rights to the Lakers and Kings arena, which is a hell of a lot of money for a used arena name. (Do you really think anyone in L.A. is going to call it anything other than the Staples Center?) This is apparently a record price, beating out the $800 million Canadian (about $650 million U.S.) that a big bank paid to rename the Toronto Maple Leafs arena in 2017.
  • History shows that the success of naming-rights deals for the buying companies’ fortunes are, uh, not so good. Talk of a “naming rights curse” goes back nearly two decades, to when naming-rights sponsors Enron, PSINet, Trans World Airlines, and National Car Rental all went bankrupt in quick succession. While I am no expert in cryptocurrency beyond having read the greatest article in the history of articles, it’s worth noting that even one crypto publication called the L.A. naming rights deal “the corporate equivalent of buying a Lamborghini: functionally almost useless, but a huge signal to the world that you’re winning, exactly because you’ve got so much money to set on fire.” The buyer in this case, it noted, is only the fourth-largest crypto exchange out there and has “relatively thin brand recognition,” but that’s certainly something that lighting money on fire should remedy, at least so long as the company can remain in business while shelling out $35 million a year on a big-ass arena ad.

So aside from this maybe being a sign that maybe you shouldn’t buy stock in this one crypto company, does the naming-rights deal have much significance for the future, or present, of sports venue financing? If nothing else, it’s an indication that there are still people out there with too much money and the notion that using it to slap their name on a big building that shows up on TV a lot is the best use of marketing dollars, the history of Enron and its ilk be damned. So maybe you’ll see a few more deals where team owners use naming-rights money to fund buildings without needing to tap the public purse — the L.A. arena, don’t forget, was mostly financed privately, notwithstanding a $70 million loan from the city of L.A. — though in most cases they’ll no doubt still want the public cash so they can pocket as much naming-rights money as possible for themselves. It’s certainly a good argument for pushing back against stadium funding demands, though: Hey, why doncha ask some crypto bros for a few hundred million before you come hitting up taxpayers? is an excellent thing to practice shouting at your next city council hearing.

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Friday roundup: More Jaguars move threats, more bad convention center spending, time is an endless loop of human folly

It’s Friday again! And December, how did that happen? “Passage of time,” what manner of witchcraft are you speaking of? Time is an eternal, unchanging present of toil and suffering under the grip of unending plagues! Thus has it ever been!

This notwithstanding, there was some news this week, though in keeping with the theme, it looks an awful lot like the news every week:

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Anschutz puts AEG up for sale, throwing L.A. stadium plans into even more uncertainty

Reuters dropped a fairly major bombshell last night, reporting that Philip Anschutz is considering selling his Anschutz Entertainment Group for a price of “several billion dollars,” a report later confirmed by Anschutz’s own execs. That’s the AEG that owns the Los Angeles Kings, Los Angeles Galaxy, the Houston Dynamo, a chunk of the Los Angeles Lakers, the Staples Center, and the nation’s second-largest concert promoter — and which, not incidentally, is currently trying to build a football stadium in downtown L.A. So, a slightly big deal.

Everyone concerned has rushed to insist that even if Anschutz is selling off his sports and entertainment business, nothing will change for the L.A. stadium plan: Los Angeles Mayor Antonio Villaraigosa said, “I have the commitment from both [Anschutz and AEG president Tim Leiweke] that this sale will not affect plans for an NFL team to return to Los Angeles in the near future and will not affect my support for moving ahead with Farmers Field and the Convention Center site.” And Leiweke released a statement that said in part that AEG’s “virtuous circle” of entertainment businesses “uniquely positions us to execute new, world-class projects that no other company can imagine or attempt.”

It’s certainly possible that this won’t affect the stadium plans, especially if Leiweke remains at the helm of AEG: If you read the New Yorker’s long profile on Anschutz’ empire earlier this year, you’ll recall that the whole downtown sports/entertainment zone concept is Leiweke’s puppy, and Anschutz is just signing the checks. L.A. Times sportswriter T.J. Simers actually takes this so far as to speculate that if biotech billionaire (and Lakers minority owner) Patrick Soon-Shiong is a potential buyer as rumored, he’ll immediately move to buy the San Diego Chargers and relocate them to a new downtown L.A. stadium.

Speculation aside, though, anything could happen in a sale, and there’s no guarantee Leiweke will remain in place, or if he does that he’ll still have a boss who’s willing to sign blank checks for his construction projects. This is a major, major wild card, not just for L.A.’s NFL hopes but for the arena world in general, where AEG is one of two concert superpowers (along with LiveNation). The landscape is about to shift, and it’s anyone’s guess where it’ll end up.

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